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The Ministry of Hanging Around

More about Keri Wyatt Kent

I had the opportunity to be interviewed on an Australian radio program this week about my book Rest. It will air in a few weeks, I'll post the link then.

One question the interviewer asked me was, "What do you do on Sabbath? Is it a day to do nothing? Or a day of worship?"

So what do you do on Sabbath-a day dedicated to God, and to rest? I told him it was a day of absolute freedom from "have-to." The Bible says it is not just a day to chill out and do your own thing, and yet it is a gift from God. But as I went through my Sabbath day yesterday, I tried to notice-what is it that I do, on this day of rest? The phrase that kept coming to me was the ministry of availability. I showed up at church, at a neighbor's home, for my kids-and God met me in it. I was not busy going anywhere else, so I could be fully present with the people God put in my path.

So yesterday, I went to church. Later, I brought some of Aaron's outgrown clothes over to a friend for her nephew, and had time to just sit and chat for a while with her. I stopped by at my neighbors', Jeff and Lisa, to drop off a book. And to ask how their daughter Katie is doing-she was recently diagnosed with cancer (see previous post). I had time to visit for a few minutes, to try to listen. There was no place I had to rush off too.

I had lunch with my son at the kitchen table. He went off for a bike ride with his friends, to play basketball with the kids down the street. I puttered in my garden, in a loosely-held solitude, enjoying the sun, the flowers, the feel of the earth in my hands. My neighbor Jeff was mowing his lawn, and he stopped and we chatted for a few minutes. My daughter texted to ask for a ride home from youth group. I was available to pick her and her friends up. I didn't have anywhere else I needed to be.

I did a little weeding, but set no goals. When my neighbors Colleen and Tony came out on their front porch, the dog and I walked over to sit and chat for a while.

I made dinner-pork tenderloin, peas and risotto. Risotto requires adding broth and stirring, slowly and repeatedly, for about 20 minutes. It's a very Zen sort of cooking experience. You have to stay present.  Preparing it feels very loving to me-and nearly impossible on weeknights full of carpooling and work. But on Sabbath, such attentiveness is not only possible, but enjoyable. We gathered as a family around a simple meal, and talked about life, about the coming week, about what we'd learned at church.

After dinner we put a fire in the fireplace, and just hung out together. The kids finished their homework.

Maybe a day dedicated to God is a day that moves slowly enough that you have time to listen, time to be available.  Maybe connecting with God on this day doesn't require effort as much as it requires simply showing up, and seeing Him in the faces of the people around you.

*****

Keri Wyatt Kent is the author of several books including Rest: Living in Sabbath Simplicity and her most recent release Simple Compassion.
She is a sought-after retreat leader and speaker. She and her husband,
Scot, live with their son and daughter in Illinois. Learn more about
Keri's ministry at www.keriwyattkent.com.

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The Inklings Journey: The Partnership

James Ray VenemanEditors Note:
This is a the fourth in a series of posts about Harry Lee Poe and James Ray Veneman's experience with creating and
publishing
The Inklings of Oxford: C. S. Lewis, J. R. R. Tolkien, and Their Friends. This post was written by James Ray Veneman. Enjoy.

“Ready to go?”

These words served as my welcome to Oxford. Hal, Harry Lee Poe according to the cover of the book, only moments after my arrival, was ready to set out. My bags not yet unpacked, and cameras still nestled away, he was fully ready to begin.

Although one might think that some sort of GPS device would be in his hand, or at least a strategically marked map tucked into his pocket, neither was present. Our guide for this adventure would be Hal’s experience, his scores of trips to this completely unique spot on our globe. There were times that it truly seemed that the marvelous magnificence of Oxford was somehow a part of his genetic code. In fact, on numerous occasions as we made our way from one location to another, groups of tourists asked Hal for directions. His explanations, always packed with colorful detail, were so much fun to hear.

Only minutes after Hal’s invitation to begin, I found myself standing in the living room of Walter Hooper. A day or two before leaving on this trip I had re-viewed video material in which he was featured, and now there he was, there I was, it was time to begin. This would be one of the few times on this project that the intended subject was an actual person. Most every other time I pushed my camera’s shutter button, the intended composition included some incomparable aspect of an Oxford structure, a favorite place frequented by the Inklings, or a scene so beautiful it seemed more likely to be imagined.

Prior to this project, my subjects have always involved people and the stories around them. Near the top of the photojournalist’s goals while on assignment will always be to capture the illusive, yet vital, storytelling moment. Often this all-important piece of the visual puzzle is found in the tiniest of detail. An upturned eyebrow, a slight gesture, a subtle change in the light across a subject’s face, or the unexpected collision of activity can become the element that will capture the attention of the viewer and usher them into the realm of the text, the story.

In this instance, the subject matter was as vital as before, it simply took on a new and challenging form. Not long at all into this endeavor I realized that my partner, one who possessed quite a knack for the visual, provided excellent counsel all along the way. Given my lack of knowledge of the various settings and their specific significance, I’m afraid my questions were relentless. I was completely captivated by the stories of where we were, and I am absolutely convinced there is no better storyteller than Hal.

A great example of the way we worked happened the day we visited the Divinity School. I was busy trying to capture interior images, the ceiling, its windows, the fabulous detail, the grandeur of this place, when Hal called me over to a window. Now, to see through this beautiful, but very old glass, one had to be committed. First, I had to step up onto a very small ledge, a little above knee height, in order to inch my way over to the exact position where I was to look. To prevent falling backwards, my left hand gripped tightly a nearby arch, then I leaned as far out as I could to peer through this particular part of the window. As I caught a glimpse of the intended scene, Hal very quietly whispered, “Never before have I seen this perspective.”

As the photograph appears inside the book, it carries the caption, “The round Radcliffe Camera and the spire of St. Mary’s across the fellows’ garden of Exeter College where Tolkien, Dyson, and Coghill were undergraduates.” This photograph captured through Hal’s counsel also appears on the cover.

Scene after scene, the partnership captured far more than I could have alone.

****
James Ray Veneman, serves as assistant professor and director of visual communication at Union University. A celebrated photographer, he cover the efforts in Iraq, spending time in Baghdad and on board an aircraft carrier in the eastern Mediterranean. From this, the book A Greater Freedom was produced. Other assignments include the days immediately following the World Trade Center attack and meetings in Cuba with Fidel Castro.

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The Inklings Journey: What to Include; What to Leave Out?

More about Harry Lee PoeEditor's Note: This is a the second in a series of posts by Harry Lee Poe (and later by James Ray Veneman) about their experience with creating and publishing The Inklings of Oxford: C. S. Lewis, J. R. R. Tolkien, and Their Friends. Enjoy.

When Jim Veneman agreed to work with me on The Inklings of Oxford, he said I would have to give him a list of every photograph I needed for the book. Not only that, he wanted to know which photographs were interior shots and which were exterior shots. Not only that, he wanted to know which shots would be taken from the east, the west, the north, and the south. He asked several other things, but by then my eyes had glazed over. This fellow had obviously never heard of the Kodak instamatic camera: point and shoot! Didn’t he own a flash? Finally, he wanted the completed text of the book before we went on our photo shoot to Oxford.

The most important resources for me in writing the book were the diaries of C. S. Lewis and his brother W. H. Lewis, and the letters of C. S. Lewis only recently edited by Walter Hooper. Most of what we know about the Inklings as a group comes from these sources with the occasional letter of Tolkien also giving light. The chatty letters and diaries tell us the places where the Inklings liked to spend time or had to spend time. They also tell us how they felt about these places and how they felt in these places. The list of the places to include in the book came primarily from these sources. So many other places could have been included, and Inklings scholars will wonder why certain places were neglected. In the end, a choice to include one place meant a choice to exclude another place.

We have included a number of places in this book that Lewis and Tolkien fans will have read about but never seen. As difficult as our selection process was, the other books had even greater limitations on them because they were not intended to share equal billing of text and images. Among my favorite spots that are included here are the air raid shelter at the Kilns, Cuckoo Lane, all of Tolkien’s houses in Oxford, the houses where Lewis lived with Mrs. Moore before they bought the Kilns, the Eastgate and Mitre hotels that shared equal status with the Eagle and Child as a favorite haunt of the Inklings. Beyond the usual places associated with Lewis, I wanted to include more about the other Inklings. We show the places associated with Lord David Cecil, Nevill Coghill, Gervase Mathew, Hugo Dyson, Charles Williams, and Christopher Tolkien, as well as the Lewis brothers and Tolkien. I did not think the book would be complete, however, without some mention of some friends who were close at hand but never Inklings; such as Dorothy L. Sayers, Ruth Pitter, Sister Penelope, Austin Farer, and Joy Davidman.

I wrote the text in a little over a month. It flowed easily. I had rehearsed the narrative for years. For some time I had collected first editions, letters, and other ephemera related to the Inklings, and when Prince Caspian was released to theaters, I began exhibiting my collection at public libraries and universities. In developing the collection for exhibition to a broad public with no particular knowledge of Lewis and the Inklings, I had developed the narrative for the book.

****

Harry Lee Poe, author of The Inklings of Oxford: C. S. Lewis, J. R. R. Tolkien, and Their Friends, holds the Charles Colson Chair of Faith and Culture at Union University in Jackson, Tennessee. The author of many books and articles on how the gospel intersects culture, Poe has written numerous articles on C. S. Lewis and co-edited C. S. Lewis Remembered.

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Another Book about the Inklings?

More about Harry Lee PoeEditor's Note: This is a the first in a series of posts by Harry Lee Poe (and later by James Ray Veneman) about their experience with creating and publishing The Inklings of Oxford: C. S. Lewis, J. R. R. Tolkien, and Their Friends. Enjoy.

Do we really need another book about the Inklings? We have Humphrey Carpenter’s fine book published in 1978. Since then Colin Duriez and Diana Glyer have written two fine books. I suppose I wanted to do this book for the same reason that Lewis wrote children’s stories. He wanted the kind of stories he wanted to read, and I wanted a book that evoked the town where the Inklings lived. I wanted a book that I could flip through on a cold winter’s night and travel again to a place I had known and loved.

I wanted a book that I could not do by myself. I wanted a picture book that compelled the reading of the story. I wanted a book that would introduce the casual reader to a group of fascinating people who had an important impact on culture and who were bound together by friendship. I wanted a book that might encourage the casual reader to pursue the books by the Inklings after seeing the movies. I wanted a book that might influence a few people to move on to Carpenter, Duriez, and Glyer.

On the other hand, I wanted a book for all those people who have read The Lord of the Rings over and over. I wanted a book for all those people who learned to read by way of The Chronicles of Narnia. I wanted a book for all those people who learned how to explore critical questions of faith by reading the apologetic works of C. S. Lewis. I wanted a book that would give all the Tolkien and Lewis fans a glimpse into the world where they lived and worked. I wanted them to see where it all happened: a landscape every bit as magical as Narnia and Middle Earth.

If the book has an inspiration, it would be C. S. Lewis: Images of His World by Douglas Gilbert and Clyde S. Kilby. Published in 1973, the book includes text by Kilby and photography by Gilbert. When I first saw the book in 1975, before I knew who C. S. Lewis was, I wanted to find out more about Lewis because of the images of Oxford that filled half the book. I suppose I became aware for the first time of how powerful images can be in disposing a person to draw aside and attend to something. I decided to learn more about Lewis because of the pictures. That may sound shallow, but I am a human. Shallow is what we do.

I urged a number of different friends to do this book over a ten year period, but no one seemed to want to do it. I would never have ventured it, except I wanted to do a project with Jim Veneman, the professor of photo-journalism at Union University where I teach. I had marveled at Jim’s skill as a photographer for many years. Then one day we fell into conversation about Tolkien and Lewis whom he also admired. By the end of the conversation, we had talked each other into proposing the project to Zondervan where we found the enthusiastic support of Bob Hudson and David Frees.

****

Harry Lee Poe, author of The Inklings of Oxford: C. S. Lewis, J. R. R. Tolkien, and Their Friends, holds the Charles Colson Chair of Faith and Culture at Union University in Jackson, Tennessee. The author of many books and articles on how the gospel intersects culture, Poe has written numerous articles on C. S. Lewis and co-edited C. S. Lewis Remembered.

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Leading Sports Psychologist and His New Book Featured in USA TODAY

More about Golf’s Sacred JourneyLook for Golf’s Sacred Journey: Seven Days at the Links of Utopia, a modern parable by Dr. David L. Cook, on usatoday.com.

The book is featured in the Religion section in an article by Mike Snider, David L. Cook is featured in a Q & A article, also by Mike Snider, and both are featured in a blog post by religion editor Cathy Lynn Grossman.

Author, speaker, entrepreneur, and performance psychologist are the roles Dr. David L. Cook has assumed over the past two decades. His clients have included NBA World Champions, National Collegiate Champions, PGA Tour Champions, Olympians, and many Fortune 500 companies.

Golf’s Sacred Journey is about influence. The story is based on thousands of athletes the author has counseled, and the great mentors and teachers from whom he has learned, told through the lives of two characters—a rancher with a passion for teaching truth and a young golf professional at the end of his rope.

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Poets, Prophets, and Preachers with Rob Bell, Shane Hipps, and Peter Rollins

With the focus of reclaiming the sermon as the ancient art form that it is, Rob Bell, Shane Hipps, and Peter Rollins will be spending the first part of this week in Grand Rapids, MI talking with hundreds of pastors.

Last night Rob Bell began by talking about the sermon and its coming “resurgence as the world becomes more twitterized.” He explored what the “sermon” has looked like over the years and what it takes to compellingly communicate God’s message to a world that desperately needs to hear it.

In conclusion, Bell encouraged the pastors in attendance with two key ideas. First, words create new worlds. They create new possibilities for not just solving problems or answering questions but for beginning a dialogue about what the Word says today. The sermon needs to move the Word of God from just words to actual “flesh and blood” action in the hearer’s life.

Second, pastors should preach “not because you have to say something but because you have something to say.” It’s better to preach a message from the heart than to preach out of obligation.

The discussions to follow through out the remainder of the conference will focus on everything from theology to exploring concepts to the practical nature of preaching the word of God effectively today.

If you’re in the Grand Rapids, MI area, I would encourage you to attend the remaining seminars.  Stop by the Devos Performance Hall and get a ticket before they sell out! For more information visit www.robbell.com.

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Live Out the Adventure of Discipleship

About Ann Spangler Today's devotion is from Sitting at the Feet of Rabbi Jesus: How the Jewishness of Jesus Can Transform Your Faith by Ann Spangler and Lois Tverberg.

So often we focus on Jesus' mission on the cross to save us from our sins. As marvelous as that is, it's critical for us to grasp the importance of his mission on earth as a rabbi. His goal was to raise up disciples who would become like him. As followers of Jesus, we are still called to live out the adventure of discipleship, becoming like Jesus through the power of his Spirit at work within us.

To do that, we need to tune into what he was saying by developing the ears of a first-century Jew. As we do, we'll discover that there are many times in the Gospels when knowing what Jesus doesn't say becomes just as important as knowing what he does say.


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Father’s Day Giveaway: Enter to Win an HDTV for Dad!

Enter to win an HDTV for DadCelebrate the release of Dance Me, Daddy by entering to win a 46” Sony BRAVIA LCD HDTV for the king of your world! Tell us a story about a special man in your life who is a father figure for you, your children, or a child you know and you’ll be automatically entered to win a great father’s day gift for him — the Sony BRAVIA! The winning entry will also win a copy of Dance Me Daddy by Cindy Morgan. Ten finalists will also receive a copy of Dance Me, Daddy. The deadline for this contest is June 12, 2009 11:59pm (EST), and the winner will be announced on June 19, 2009 at 12pm (EST). Enter Now!

Learn More about Dance Me Daddy.

Listen to King of the World by Point of Grace, the song, also written by Cindy Morgan, that inspired the book

Watch a video about the book as Cindy Morgan reads it


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